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She explains to Togusa that she wanted him on the team because his very lack of technology have him a different perspective. I think despite her concerns over her origins, Motoko considers herself human, too. Several times Motoko herself wonders if she might have been programmed, but everyone around her treats and considers her as human. Despite all her modifications, she’s never treated as inhuman. Her mind may be housed in her biological brain according to the film, but she can leave it for other spaces, like traffic databases and other bodies. It’s super strong, has cloaking technology, and lets her seamlessly access the digital world. She has her original biological brain, but her body is robotic.

Motoko, as I briefly mentioned, is almost entirely mechanical. He’s certainly regarded as human in the film, and is mostly interesting as a contrast to two examples of extreme technological integration.

We’re told that his intelligence-enhancing technology is the only non-biological component of his body. Togusa, one of the members of Motoko’s team, is almost entirely human. Ghost in the Shell provides a nice array of biological, mechanical, and digital aspects of both the body and mind to examine what each particular combination might mean for the status of that being as human or thing. Additionally, it has another character, the Puppet Master, who initially has no body and a completely digital mind. Its characters have bodies that range from almost entirely biological to almost entirely mechanical, and Motoko, one of these mostly-mechanical people, repeatedly questions her own humanity. Ghost in the Shell was a perfect movie for my film series because it deals very directly with the question I’m interested in. This is the second of my reflections on the events in Ambiguously Human.

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